The term 'Maya', in Indian traditions, refers to our sensory perception of the world and, as such, to a superficial reality (or 'un-reality') that we must look beyond to find the inner reality of things. Applied to the study of language, we perceive sounds, a superficial reality, and then we seek structures, the underlying reality in what we call phonology, morphology, and syntax. This volume starts with an introduction by the editors, which shows how the various papers contained in the volume reflect the spectrum of research interests of Andrea Calabrese, as well as his influence on the work...

The term ‘Maya’, in Indian traditions, refers to our sensory perception of the world and, as such, to a superficial reality (or ‘un–reality’) that we must look beyond to find the inner reality of things. Applied to the study of language, we perceive sounds, a superficial reality, and then we seek structures, the underlying reality in what we call phonology, morphology, and syntax. This volume starts with an introduction by the editors, which shows how the various papers contained in the volume reflect the spectrum of research interests of Andrea Calabrese, as well as his influence...

A wealth of psycholinguistic evidence has shown that words, before being visually recognized, decompose into smaller orthographic units which may seem to correspond to, but aren’t necessarily, morphemes. Such a procedure of morphological decomposition is commonly assumed to solely rely on islands of regularity – namely, statistical orthographic regularities, with no regard to the words’ meaning. Building on these results, the present investigation assesses the sensitivity of decomposition to non-semantic (i.e., phonological, lexical, and morpho-syntactic) properties, as a way to probe...