A cross-reference book of information on aesthetic boundaries, consisting of a bibliography into which inserted text, critical essays, art works, and documents, are arranged chronologically and focused on a selection of so-called greatest hits and conceptual poetics. It contains mentions of such vaguely designated areas as appropriation, postnaive, unboring boring, detournement, object perdu, and erasure poetry -- or writing through -- as they currently occur (with occasional political overtones) in the work of Michalis Pichler. This book is the first monograph focused on the practice of...