Part of the Documents series, this volume explores the history, theory and practice of exhibiting artists' cinema, video installations and advertising films, focusing on the domains of performance and of the -expanded arts.- Together with its companion volume, Exhibiting the Moving Image, the book offers case studies of -exhibitions, - understood as events whose singularities emerge through the problematics they raise, toward the formation and redefinition of larger -exhibitionary complexes.- The intention is to sketch alternative archaeologies of film exhibitions and complicate...