"The Seven Purposes" written by Margaret Cameron in 1918 is a report of personal experience in psychic phenomena. This is based on the author's research on automatic, or involuntary, writing--writing allegedly directed by a spirit or by the unconscious mind. This report has been arranged in three parts: first, the genesis and rapid development of the individual message; second, the Lessons; third, additional individual messages. "The Seven Purposes" offers a unique, early-20th century study of automatic writing sure to challenge while it inspires. Margaret Cameron was a novelist and short...
"The Seven Purposes" written by Margaret Cameron in 1918 is a report of personal experience in psychic phenomena. This is based on the author's resear...
Methods and Methodologies explores two questions about studying the Aristotelian tradition of logic. The first, addressed by the chapters on methods in the first half of the book, is directly about the medieval logical commentaries, treatises and handbooks. How did medieval authors in the different traditions, Latin and Arabic, go about their work on Aristotelian logic? In particular, how did they themselves conceive the relationship between logic and other branches of philosophy and disciplines outside philosophy? The second question is about methodologies, the subject of the chapters...
Methods and Methodologies explores two questions about studying the Aristotelian tradition of logic. The first, addressed by the chapters on me...
Jean-Baptiste Du Bos, James O. Young, Margaret Cameron
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aesthetics. Du Bos rejected the seventeenth-century view that works of art are assessed by reason. Instead, he believed, audience members have sentiments in response to artworks. Their sentiments are fainter versions of those they would feel in response to actually seeing what the work of art imitates. Du Bos was influenced by John Locke’s empiricism and, in turn, had a major impact on virtually every major eighteenth-century contributor to philosophy...
Jean-Baptiste Du Bos’ Critical Reflections on Poetry and Painting, first published in French in 1719, is one of the seminal works of modern aestheti...