Beethoven's Symphony Number Nine, arranged for solo piano by Franz Liszt. "The name of Beethoven is sacred in art. His symphonies are at present universally acknowledged to be master-pieces; whoever seriously wishes to extend his knowledge or to produce new works can never devote too much reflection and study upon then. For this reason every way or manner of making them accessible and popular has a certain merit, nor are the rather numerous arrangements published so far without relative merit, though, for the most part, they seem to be of but little intrinsic value for deeper research. The...

Franz Liszt's six Consolations S.172 alongside his Liebestraume S.541 (German for "dreams of love") both composed for the piano."

Franz Liszt's Six Consolations composed for the piano.

Franz Liszt's "Transcendental Etudes" composed in 1851, containing the following etudes: 1.) Preludio (C major) 2.) Molto vivace (A minor) 3.) Paysage (F major) 4.) Mazeppa (D minor) 5.) Feux follets (B-sharp major) 6.) Vision (G minor) 7.) Eroica (E-flat major) 8.) Wilde Jagd (C minor) 9.) Ricordanza (A-flat major) 10.) Allegro agitato molto (F minor) 11.) Harmonies du soir (D-flat major) 12.) Chasse-neige (B-flat minor)

Franz Liszt's Complete Hungarian Rhapsodies for Piano Solo. This edition contains the complete 19 Hungarian Rhapsodies reprinted from both the "Breitkopf & Hartel" and the C.F. Peters editions."

Although he made sketches for a large symphonic work on the subject of Goethe's novel Faust, which he had been introduced to by Berlioz (via Gerard de Nerval's French translation), it's was during Liszt's period of residency in Weimar that the sketeches took root to grow into Eine Faust-Symphonie in drei Charakterbildern. The 1852 premiere of Berlioz's work on the same subject might have provided some inspiration, along with visits to Weimar by Gerard de Nerval and the English novelist George Eliot. Once he started in earnest, Liszt composed the piece quickly from August through October of...

Camille Saint-Saens, composer of the great Organ-Symphony said the following about Liszt's masterpiece: "Its the most extraordinary piece that exists for the organ." The present first edition closes a large gap in the late romantic literature for organ and orchestra. Giacomo Meyerbeer, Franz Liszt, Wilhelm Middelschulte and Hugo Kaun created with this masterpiece, which extends beyond generations and national boundaries, an extraordinary symphonic opera for Organ and Orchestra. Productvideo: https: //vimeo.com/137462766

Liszt composed three "Odes funebres" betwwen 1860 and 1866, shortly in the wake of his first 12 tone poems. The third of the odes was the first to be published, as an 'epilogue' to the related tone poem "Tasso: Lamento e Trionfo, S.96." The first two odes had to wait until 1915 to appear in their original orchestral setting. This new score is a digitally enhanced reissue of the scores issued by Breitkopf und Hartel between 1908 (No.3) and 1915 as part of the critical edition prepared by Otto Taubmann and Berthold Kellermann for the Liszt Gesammtausgabe. Unlike so many of the on-demand scores...