The first of a ground-breaking series of thirteen works for orchestra, Liszts "Ce quon entend sur la montagne" (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle.

This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores...

The third of the ground-breaking series of thirteen works composed for orchestra, Liszt's "Les Preludes" was inspired by Alphonse de Lamartine's "Nouvelles meditations poetiques." Composed from 1850-54, it was given its premiere in Weimar 23 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings,...

Liszts fourth entry in his revolutionary series of thirteen symphonic poems, "Orpheus" was penned to serve as an introduction to the Weimar premiere of Glucks opera on the same story "Ofeo ed Euridice". Composed from 1853-54, it was given its premiere in Weimar 16 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music...

The fifth of Liszts revolutionary series of thirteen symphonic poems, "Prometheus" started life in 1850 as a dramatic cantata for chorus and orchestra set to Johann Gottfried Herders "Der entfesselte Prometheus" Liszt subsequently extended and reorchestrated the overture into the symphonic poem and conducted its premiere in Braunschweig on 18 October 1855. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing...

The sixth of the revolutionary series of thirteen tone poems for orchestra, Liszts "Mazeppa" was inspired by the French version of Lord Byrons famous poem by Victor Hugo. Composed from 1851-54, it was given its premiere in Weimar on 16 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP -...

The seventh in his visionary series of thirteen tone poems for orchestra, Liszt's "Festklange" was composed in 1853 and was given its premiere in Weimar on 9 September 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library."

Composed in 1855-56, Liszt's "Symphony to Dante's 'Divina Commedia'" is programmatic work depicting Dante's journey through hell and purgatory. It was quite advanced for its era, employing many new orchestral colors and daring harmonic schemes. The work's disastrous premiere, given under the composer's direction on November 7th, 1857 in Dresden's Hoftheater, was a public humiliation for the composer. Despite the rocky start, the work's quality and value became apparent over time. The present score is a digitally-restored reissue of the one first published in 1920 by Breitkopf und Hartel as...