The work of Bernard of Clairvaux (1090-1153) consists of mystical highlights, moments of stylistic beauty and traditional exegetical discourse. In contrast to previous studies this book does not limit itself to the historical and devotional side of Bernard, but brings to the fore his stylistic originality. Bernard emerges as a flexible thinker, a great dramatist and an adroit master of language who combines the fixed pattern of monastic life with the vicissitudes of extra-mural events.
On the one hand, Bernard's writings are composed according to the rhythm of the uninterrupted ritual of...

Augustine articulates temporality as focus rather than duration. It encompasses the shift from the future through the present to the past. Yet this a-causal, free-floating concept of time has never been applied to the shape of Augustine's own narrative in the Confessions, or to that other vintage Augustinian problem: predestination. This book examines Augustinian temporality by experimentally projecting it onto modern(ist) authors (Kleist, Henry James, Kafka, Beckett) who are less dependent on sequential narrative and more concerned with the fragility and sustainability of voice in...