As a leading Muslim thinker, 'Abd al-Ghanī al-Nābulusī of Damascus creatively engaged with the social, religious, and intellectual challenges that emerged during the early modern period in which he lived. Yet, at a time of high anti-mystical fervour, his Sufi-inspired views faced strong local antipathy. Through extensive correspondence, presented here for the first time, 'Abd al-Ghanī projected his ideas and teachings beyond the parochial boundaries of Damascus, and was thus able to assert his authority at a wider regional level. The letters he himself selected, compiled,...
As a leading Muslim thinker, 'Abd al-Ghanī al-Nābulusī of Damascus creatively engaged with the social, religious, and intellectual chal...
Despite the growing interest in the intellectual history of early modern Arabs and Ottomans, many key figures of the period remain unknown. In this unique biographical account, edited and published here for the first time, Muḥammad Kamāl al-Dīn al-Ghazzī (1760-1799), the chief Shafi'i jurisconcult of Damascus, introduces us to one of the leading figures of early modernity, 'Abd al-Ghanī al-Nābulusī (1641-1731). Being al-Nābulusī's great grandson, al-Ghazzī had direct access to the family's collective memory through his parents and...
Despite the growing interest in the intellectual history of early modern Arabs and Ottomans, many key figures of the period remain unknown. In this un...
Naẓar, literally ‘vision’, is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic visual culture and aesthetic sensibility have been shaped by common conceptual tools and moral parameters. It intertwines the act of ‘seeing’ with the act of ‘reflecting’, thereby bringing the visual and cognitive functions into a complex relationship. Within the folds of this multifaceted relationship lies an entangled web of religious ideas, moral values, aesthetic preferences, scientific precepts, and socio-cultural understandings that...
Naẓar, literally ‘vision’, is a unique Arabic-Islamic term/concept that offers an analytical framework for exploring the ways in which Islamic v...
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they provide, landscape, nature, and art, both separately and jointly, may mean when we experience them. It focuses on actual or potential experiences of the numinous, or sacred, that such encounters may give rise to. This volume is multi-disciplinary in scope. It examines perceptions of place, space, nature, and art as well as perceptions of place, space, and nature in art. It includes chapters written by art curators, and historians and scholars...
Numinous Fields has its roots in a phenomenological understanding of perception. It seeks to understand what, beyond the mere sensory data they...
