'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end without a single hairpin in one's hair! Shot out at the feet of God entirely naked! ... Yes, that seems to express the rapidity of life, the perpetual waste and repair; all so casual, all so haphazard' Virginia Woolf tested the boundaries of fiction in these short stories, developing a new language of sensation, feeling and thought, and recreating in words the 'swarm and confusion of life'. Defying categorization, the stories range from...
'Why, if one wants to compare life to anything, one must liken it to being blown through the Tube at fifty miles an hour - landing at the other end ...
Woolf's textured prose invites us into each of the characters' minds as we follow them on a winding, decade-long journey to the lighthouse. Mr and Mrs Ramsay and their eight children have always holidayed at their summer house in Skye, surrounded by family friends.
Woolf's textured prose invites us into each of the characters' minds as we follow them on a winding, decade-long journey to the lighthouse. Mr and M...
Written after Woolf had finished her emotionally draining work on The Waves, Flush purports to be an autobiography of Elizabeth Barrett Browning's eponymous cocker spaniel, charting the dog's early days in the countryside, his adoption by the famous poet, his subsequent life in London and his travels with his owners to Italy. While the resulting narrative is light-hearted and playful on the surface, Woolf ingeniously uses the faux-naif impressions of her animal narrator to voice her social criticism on topics such as the class system and the relationship between man and woman. Much like...
Written after Woolf had finished her emotionally draining work on The Waves, Flush purports to be an autobiography of Elizabeth Barrett Browning's epo...
Exam board: Edexcel, OCR, Cambridge Assessment International EducationLevel & Subject: AS and A Level English LiteratureFirst teaching: September 2015First examination: June 2017, 2020
Exam board: Edexcel, OCR, Cambridge Assessment International EducationLevel & Subject: AS and A Level English LiteratureFirst teaching: September 2015...
'But, you may say, we asked you to speak about women and fiction - what has that got to do with a room of one's own?' A Room of One's Own grew out of a lecture that Virginia Woolf had been invited to give at Girton College, Cambridge in 1928 and became a landmark work of feminist thought. Covering everything from why a woman must have money and a room of her own if she is to write, to authors such as Jane Austen, Aphra Behn and the Bronte sisters, and the tragic story of Shakespeare's fictional sister Judith, it remains a passionate assertion for female creativity and independence in a...
'But, you may say, we asked you to speak about women and fiction - what has that got to do with a room of one's own?' A Room of One's Own grew out ...
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham Clarissa Dalloway, elegant and vivacious, is preparing for a party and remembering those she once loved. In another part of London, Septimus Warren Smith is suffering from shell-shock and on the brink of madness. Smith's day interweaves with that of Clarissa and her friends, their lives converging as the party reaches its glittering climax. Virginia Woolf's masterly novel, in which she perfected the interior monologue, brings past, present and future together on one momentous day in June 1923. ...
'One of the most moving, revolutionary artworks of the twentieth century' Michael Cunningham Clarissa Dalloway, elegant and vivacious, is preparing...
'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness. Edited by Brenda Lyons with an...
'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begin...