Challenges traditional scholarship on absurdist literature, privileging the reader and the genre's stylistic achievementsSince Martin Esslin coined 'the Theatre of the Absurd' to describe experimental drama in the mid-twentieth century, the term 'absurd' has been adopted as a means of discussing a vast array of literary text. Many accounts have focused on the philosophical and thematic concerns of absurd prose fiction, but literary-criticism has failed to agree on the stylistic, generic, and temporal. This volume takes an alternative approach: its core aim is to provide a coherent,...

Challenges traditional scholarship on absurdist literature, privileging the reader and the genre's stylistic achievementsSince Martin Esslin coined 'the Theatre of the Absurd' to describe experimental drama in the mid-twentieth century, the term 'absurd' has been adopted as a means of discussing a vast array of literary text. Many accounts have focused on the philosophical and thematic concerns of absurd prose fiction, but literary-criticism has failed to agree on the stylistic, generic, and temporal. This volume takes an alternative approach: its core aim is to provide a coherent,...