The Poor of Lyons, whom their detractors called "Waldensians"--after the name of their founder Waldo (or Vaudes)--first emerged around 1170 and formed a sect that embraced evangelism, prophesy and poverty. Challenging prohibition by following the Scripture to the last letter, they were condemned as heretics. The Waldensians constituted the only medieval heresy to have survived to the dawn of the so-called "modern" period. Their tale of simple devotion mixed with a fierce tenacity serves to illuminate aspects of religious belief that have persisted to the present day.

This volume enables students and scholars to appreciate Mansfield's central place in various trans-European networks of modernism working in or through translation and translated idioms. Katherine Mansfield had a lifelong interest in literatures in translation and in literary translating. From her early notebooks until letters written just before her death, she records the joy of learning foreign languages and exploring literatures outside the mainstream Anglophone tradition, often using transformative, inter-lingual games of her own as a source of creativity. Meanwhile, her enduring...

This edition is made up of 217 poems, ordered chronologically, so that the reader can follow Mansfield's development as a poet and her experiments with different forms as well as trace the themes such as love and death, the natural world and the seasons, childhood and friendship, music and song which preoccupied her throughout her writing life. The comprehensive annotations provide illuminating biographical information as well as explaining the rich contexts of the European poetic tradition, including fin de siecle decadence, within which her artistry is steeped.
The inclusion of a...

Described by Katherine Mansfield in 1921 as 'a great cold sword between you and your dear love Adventure', in the early twentieth century the English Channel, or 'La Manche' in French, represented both a political and an intellectual barrier between European avant-gardism and British restraint, and a bridge for cultural connection and aesthetic innovation. Organised around key terms 'Translating', 'Fashioning' and 'Mediating', this book presents ten original essays by scholars working on both sides of the Channel.