How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh...
How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in th...
How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in the film experience? This study considers the locus of the breathing body in the film experience and its implications for the study of embodiment in film and sensuous spectatorship. Quinlivan puts forward a mode of critical engagement with film shaped by the foregrounding of the human body in the filmic diegesis and the viewing experience. The book's foregrounding of the human body as an, importantly, breathing body in film, coupled with its fresh...
How can the cinema articulate the interstices between visibility and invisibility, and how are such notions of absence and the unseen implicated in th...
This book tells the story of Quinlivan's Anglo-Asian family whose extraordinary mythology haunts her own sense of time and place over the course of ten years and seven house moves through England, finally settling in rural Devon with a young family of her own.
This book tells the story of Quinlivan's Anglo-Asian family whose extraordinary mythology haunts her own sense of time and place over the course of te...
