The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The contributions explore the heuristic fruitfulness of various narratological categories and show that, in combination with other approaches such as studies in deixis, performance studies and reader-response theory, narratology can help to...
The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological...
The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological theory has moved on. In accordance with these developments, Narratology and Interpretation draws out the subtler possibilities of narratological analysis for the interpretation of ancient texts. The articles make a contribution to the theory of narrative as well as to our understanding of ancient.
The categories of classical narratology have been successfully applied to ancient texts in the last two decades, but in the meantime narratological...
Neoanalysis has established itself as one of the two leading schools of interpretation in Homeric studies (together with the theory of Oral Poetry) since its introduction by J.T. Kakridis and its subsequent development by H. Pestalozzi, W. Schadewaldt and W. Kullmann. Long considered as a mainly German or at most a European theory, Neoanalysis has been combined in recent studies (M.W. Edwards, R. Janko, M. Finkelberg, J. Burgess, B. Currie, Chr. Tsagalis) with the theory of Oral Poetry, dominant chiefly in Anglo-American scholarship. This rapprochement paves the way for what seems to be a...
Neoanalysis has established itself as one of the two leading schools of interpretation in Homeric studies (together with the theory of Oral Poetry) si...