Why do we find ourselves returning to certain pictures time and again? What is it we are looking for? How does our understanding of an image change over time? In his latest book T. J. Clark addresses these questions--and many more--in ways that steer art writing into new territory.

In early 2000 two extraordinary paintings by Poussin hung in the Getty Museum in a single room, Landscape with a Man Killed by a Snake (National Gallery, London) and the Getty's own Landscape with a Calm. Clark found himself returning to the gallery to look at these paintings morning after...

Preeminent art historian T.J. Clark explores how painters since the Middle Ages have portrayed the divine on earth.

One of the world's most respected writers on art investigates the very different ways painting has given form to the afterlife.