The book deals with Piero's Arezzo frescoes, explaining their unprecedented iconography and arrangement from the point of view of liturgy in the Eastern and Western Churches at a time when efforts to repair the schism were underway. It also discusses visual parallelism, the inclusion of the Annunciation, the meaning of the pilaster figures, and the relevance of the Crusades, all of which inform the artist's iconography.
The book deals with Piero's Arezzo frescoes, explaining their unprecedented iconography and arrangement from the point of view of liturgy in the Easte...
Munch's The Scream. Van Gogh's Starry Night. Rodin's The Thinker. Monet's Water Lilies. Constable's landscapes. The 19th century gave us a wealth of artistic riches so memorable in their genius that we can picture many of them in an instant. At the time, however, their avant-garde nature was the cause of much controversy. Professor Laurie Schneider Adams vividly brings to life the paintings, sculpture, photography and architecture, of the period with her infectious enthusiasm for art and detailed explorations of individual works. Offered fascinating biographical...
Munch's The Scream. Van Gogh's Starry Night. Rodin's The Thinker. Monet's Water Lilies. Constable's landscapes. The 19th c...
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings to the fourteenthcentury work of Giotto, others to the generation of Masaccio, Brunelleschi, and Donatello that fl ourished from around 1400. The close of the Renaissance has also proved elusive. Mannerism, for example, is variously considered to be an independent (but subsidiary) late aspect of Renaissance style or a distinct style in its own right."
"The chronology of the Italian Renaissance, its character, and context have long been a topic of discussion among scholars. Some date its beginnings t...
Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance describes and analyzes in depth from various points of view major works and major artists, from the fourteenth to the sixteenth centuries. Artists included are Cimabue, Duccio, Giotto, Lorenzetti, Ghiberti, Brunelleschi, Donatello, Massaccio, Gentile da Fabriano, Uccello, Rossellino, Castagno, Piero della Francesca, Alberti, Botticelli, G. Bellini, Verrocchio, Mantegna, G. Sangallo, Leonardo, Michelangelo, Bramante, Raphael, Giorgione, and...
Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance...
This book focuses on key monuments of the Baroque style, which varies in different European contexts. It is intended to affirm the existence of individual genius, identifiable styles of art, and historical periods that produced them.
This book focuses on key monuments of the Baroque style, which varies in different European contexts. It is intended to affirm the existence of indivi...
Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These different ways of describing and interpreting art are the methodologies of artistic analysis, the divining rods of meaning. Regardless of a work's perceived difficulty, an art object is, in theory, complex. Every work of art is an expression of its culture (time and place) and its maker (the artist) and is dependent on its media (what it's made of). The methodologies discussed here (formal analysis, iconology and iconography, Marxism, feminism,...
Since the nineteenth century, when art history became an established academic discipline, works of art have been 'read' in a variety of ways. These di...
