In this experimental work of ecocriticism, Vincent Bruyere confronts the seeming pointlessness of the humanities amid spectacularly negative future projections of environmental collapse.

The vanitas paintings of the sixteenth and seventeenth centuries dazzlingly depict heaps of riches alongside skulls, shells, and hourglasses. Sometimes even featuring the illusion that their canvases are peeling away, vanitas images openly declare their own pointlessness in relation to the future. This book takes inspiration from the vanitas tradition to fearlessly contemplate the stakes of the...