The Eucharist in the European Middle Ages was a multimedia event. First and foremost it was a drama, a pageant, a liturgy. The setting itself was impressive. Stunning artwork adorned massive buildings. Underlying and supporting the liturgy, the art and the architecture was a carefully constructed theological world of thought and belief. Popular beliefs, spilling over into the magical, celebrated that presence in several tumultuous forms. Church law regulated how far such practice might go as well as who was allowed to perform the liturgy and how and when it might be performed. This volume...