Mustafa Kirca explores the dark sides of Alan Ayckbourn's comedy by comparing the playwright's characters with those of Chekhov's drama and drawing a parallelism in the character portrayal of both artists. The significance of Ayckbourn's plays, following Chekhov's footsteps, particularly lies in his vivid portrayal of characters from everyday life with psychological depth. Kirca shows that the fine mix of comedy and tragedy in Ayckbourn's drama is conveyed through his realistic characterization contrary to the farcical style of his plays. This kind of character portrayal in Ayckbourn's plays...

The words fear, risk and safety have come to define our contemporary age and have been construed as a dynamic background in the human sciences against which most risk narratives, imaginative or otherwise, can be read. This volume brings together original articles to investigate “cultures of fear” in post-millennial works and covers a wide variety of topics ranging from post-millennial political fictions, post-humanist and postcolonial rewritings to trauma narratives, risk narratives, literary disaster discourses and apocalyptic scenarios. Featuring theoretical and analytical approaches...