John Ruskins insights into the need for individual artistic freedom, and his disdain for the mass-production art of the Victorian era, radically altered society's perception of creative design and remain powerfully relevant to our ideas of beauty today.

John Ruskin overturned Victorian society's ideas about art and architecture, arguing that ancient buildings must be conserved for their deep, mystical links with the past and that creative design is essential - not for financial gain, but to communicate eternal human truths. Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the...

John Ruskin was one of the most influential men of his day, and Praeterita, his autobiography, offers fascinating insights into many of the topics in which he was pre-eminent: art, architecture, J. M. W. Turner, nature, politics, and travel. This is the first major new edition since 1908, including passages excised from the original printed editions. The Introduction sets the autobiography in the context of Ruskin's life at the time of writing and discusses its fractured nature and unique style. Thorough explanatory notes illuminate the many references and allusions and the Glossary of...

John Ruskin was the most powerful and influential art critic and social commentator of the Victorian nineteenth century. A true polymath, he wrote about nature, art, architecture, politics, history, myth and much more. All of his work is characterized by a clarity of vision as unsettling and intense now as it was for his first readers.
This new selection includes wide-ranging extracts of Ruskin's texts, from the early 1840s to the late 1880s, as well as representative material from each of his major works. Modern Painters, The Stones of Venice, and Sesame and Lilies are juxtaposed with...

Can drawing -- sound, honest representation of the world as the eye sees it, not tricks with the pencil or a few "effects" -- be learned from a book? One of the most gifted draftsmen, who is also one of the greatest art critics and theorists of all time, answers that question with a decided "Yes." He is John Ruskin, the author of this book, a classic in art education as well as a highly effective text for the student and amateur today.
The work is in three parts, cast in the form of letters to a student, successively covering "First Practice," "Sketching from Nature," and "Colour and...

John Ruskin, Grossbritanniens wohl einflussreichster Kunstkritiker des 19. Jahrhunderts, veroffentlichte zwolf Jahre vor seinem Tod im Jahr 1888 eine Reihe von Vorlesungen uber Kunst. Die "Vortrage uber Kunst" waren im Zeitraum der Jahre 1870 bis 1875 im Zusammenhang mit Ruskins Tatigkeit als Professor an der Universitat Oxford entstanden und beschaftigen sich unter anderem mit den Themen "Licht," "Farbe," "Kunst und Moral." Ruskins Werk ist allgemeinhin fur seine Sprachgewandtheit bekannt, die Lekture der Vorlesungen ist deshalb nicht nur fur den rein wissenschaftlichen Gebrauch...