"I had in mind a kind of anti prose poem that would look and smell like one but give a different taste and have a different texture. One way of doing this was by making the conclusion of each Set flat and deflationary, almost deliberately poor in the sense that they never approached closure, either artificially or in actuality." (Tim Allen)
"I had in mind a kind of anti prose poem that would look and smell like one but give a different taste and have a different texture. One way of doing ...
The Voice Thrower is from a batch of long poems begun in the 90s, arising in my "anti poetry" phase. The title should speak for itself, except it doesn't, which is the whole point of being a voice thrower. The poem had a twin, The Submissive Bastards, initially sharing the trope of a red sky at dusk, but TVT's sky turned into a horizon at sea, specifically from Portland looking west across Lyme Bay (Portlanders call it West Bay anyway). While The Voice Thrower's bastard twin became more controlled, TVT grew ever wilder until, while trying to round it off, I began to suspect the poem was an...
The Voice Thrower is from a batch of long poems begun in the 90s, arising in my "anti poetry" phase. The title should speak for itself, except it does...
The texts in this volume run parallel with the years of Austerity leading to Brexit and its fallout, issues internalised here before resurfacing within new narrative contexts and scenarios in which modern cultural history competes with autobiographical conflict to be transported elsewhere by the chimera of language. Motifs arising from the perspective of age and change echo, but sparsely; what really unites the poems is a cruel humour, as often self-directed as aimed at the democracy of poisons. “Tim Allen combines images with the anarchic verve of Lautréamont and the early...
The texts in this volume run parallel with the years of Austerity leading to Brexit and its fallout, issues internalised here before resurfacing withi...
