Charting new territory in filmmaking technologies and Steven Spielberg’s oeuvre, Minority Report (2002) portrays a dystopian near-future that comments on our increasingly science-fictional world and pays homage to the history of SF cinema. In this comprehensive monograph, D. Harlan Wilson recounts the film's inception, production, reception, and afterlife since its release in 2002 while depicting it as a symptom of contemporary media pathology, post-9/11 paranoia, consumer-capitalist aggression, religious mania, and above all, the screen culture that has come to define the human condition....