"Shall I tell you what a lady is? A lady is a woman who wears a silk gown, and has a sense of her own importance."
Wilkie Collins's investigation of illegitimacy and 'the woman question' inNo Name(1862) compels with a wholly different order of suspense from that ofThe Woman in WhiteorThe Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in...

"When you looked down into the stone, you looked into a yellow deep that drew your eyes into it so that they saw nothing else."

The Moonstone, a yellow diamond looted from an Indian temple and believed to bring bad luck to its owner, is bequeathed to Rachel Verinder on her eighteenth birthday. That very night the priceless stone is stolen again and when Sergeant Cuff is brought in to investigate the crime, he soon realizes that no one in Rachel's household is above suspicion. Hailed by T. S. Eliot as "the first, the longest, and the best of modern English detective novels," The...

When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money--and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as -One of the most hardened female villains whose devices and desires have...

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his "charming" friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.
Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism....

Ingeniously conceived and brilliantly rendered, and set against the backdrop of the California Gold Rush, "The Wreck of the Golden Mary" is a masterpiece of Victorian storytelling. En route to making their fortunes, the passengers of the Golden Mary suffer a terrifying ordeal when their vessel collides with an iceberg. Now the helpless victims of a shipwreck, they turn to the restorative powers of storytelling in a desperate attempt to raise morale. As each takes their turn, from the captain to the first mate, the Dickensian figures of miser and murderer, orphan and ghost, are brought onboard...

Editedand with an Introduction by David Stuart Davies.

'Have you ever heard of the fascination of terror?'

This is a unique collection of strange stories from the cunning pen of Wilkie Collins, author of The Woman in White and The Moonstone. The star attraction is the novella The Haunted Hotel, a clever combination of detective and ghost story set in Venice, a city of grim waterways, dark shadows and death. The action takes place in an ancient palazzo coverted into a modern hotel that houses a grisly secret. The supernatural horror,...

With an Introduction and Notes by Scott Brewster, University of Central Lancashire.

Wilkie Collins is a master of mystery, and The Woman in White is his first excursion into the genre. When the hero, Walter Hartright, on a moonlit night in north London, encounters a solitary, terrified and beautiful woman dressed in white, he feels impelled to solve the mystery of her distress.

The intricate plot is peopled with a finely characterised cast, from the peevish invalid Mr Fairlie to the corpulent villain Count Fosco and the enigmatic woman herself.

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.
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Armadale tells the devastating story of the independent, murderous, and adulterous Lydia Gwilt. This traditional melodrama also considers the modern theme of the role of women in society.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for...

Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his 'charming' friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.