From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in production. This global revival, in addition to delighting audiences, has highlighted both the promise and the pitfalls of staging ancient masterpieces in the modern age. Addressing the issues and challenges these performances pose, renowned classicist Simon Goldhill responds here to the growing demand for a comprehensive guide to staging Greek tragedy today. In crisp and spirited prose, Goldhill explains how Aeschylus, Euripides, and Sophocles...
From the stages of Broadway and London to university campuses, Paris, and the bourgeoning theaters of Africa, Greek tragedy remains constantly in prod...
It was destroyed nearly 2,000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol, and site--remains one of the most powerful, and most contested, buildings in the world. This glorious structure, imagined and re-imagined, reconsidered and reinterpreted again and again over two millennia, emerges in all its historical, cultural, and religious significance in Simon Goldhill's account.
Built by Herod on a scale that is still staggering--on an earth and rock platform 144,000 square meters in area and 32 meters high--and destroyed by the Roman emperor Titus 90 years later,...
It was destroyed nearly 2,000 years ago, and yet the Temple of Jerusalem--cultural memory, symbol, and site--remains one of the most powerful, and ...
