Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient.

Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'. If the medium really is the message, Williams asks, what is left for us to do...

When railway signalman Harry Price suddenly suffers a stroke, his son Matthew, a lecturer in London, makes a return to the border village of Glynmawr. As Matthew and Harry struggle with their memories of personal and social change, a beautiful and moving portrait of the love between a father and son emerges.

A groundbreaking work of social, literary and intellectual history by the godfather of the 'New Left.'
Our collective notion of the city and country is irresistibly powerful. The city as the seat of enlightenment, sophistication, power and greed is in profound contrast with an innocent, peaceful, backward countryside. By examining literature since the sixteenth century, Williams traces the development of our conceptions of these two traditional poles of life. His groundbreaking study casts the country and city as central symbols for conceptualizing the social and economic changes...

Acknowledged as a masterpiece of materialist criticism in the English language, this collection cover topics from British literary history to George Eliot and George Orwell to enquire about the complex ways economic reality shapes the imagination.

A comprehensive introduction to the work of one of the outstanding intellectuals of the twentieth century