"A pagan happiness entered my paintings in the spirit of both my subjects and work, which became freer and more lyrical". These are the words used by Massimo Campigli himself to describe his visit to the Museum of Villa Giulia in Rome in 1928. He attributed to this event a fundamental value for the development of the mature phase of his artistic production. This catalogue compares a specific selection of Campigli's works with Etruscan finds, with which they naturally share atmospheres, signs and colours. This innovative and learned analysis brings about the opportunity to present for the...