Ever since the first scheduled television broadcasts began in the 1930s, newspapers and magazines took quickly to reviewing this revolutionary new medium. The task of television criticism in the public domain intially fell to radio critics and journalists, but the 1950s saw the rise of the dedicated TV critic. These critics, including Peter Black, Philip Pursor, and Clive James, played an important part in shaping the public discourse about television. This new book explores the evolution of television criticism in Britain, exploring different types of TV critics and reviewers, the form of...
Ever since the first scheduled television broadcasts began in the 1930s, newspapers and magazines took quickly to reviewing this revolutionary new ...
This work explores how American programmes have become an important part of British television culture since the 1950's, moving from schedule fillers to cornerstones and 'must see' attractions. The book analyses popular and industrial discourses, the changing roles of such programmes on British screens and interviews with key British broadcasters.
This work explores how American programmes have become an important part of British television culture since the 1950's, moving from schedule fillers ...
