In works of literary fiction, it is a part of the fiction that the words of the text are being recounted by some work-internal "voice": the literary narrator. One can ask similarly whether the story in movies is told in sights and sounds by a work-internal subjectivity that orchestrates them: a cinematic narrator. George M. Wilson argues that movies do involve a fictional recounting (an audio-visual narration) in terms of the movie's sound and image track. Viewers are usually prompted to imagine seeing the items and events in the movie's fictional world and to imagine hearing the associated...
In works of literary fiction, it is a part of the fiction that the words of the text are being recounted by some work-internal "voice": the literary n...
In this concise but ambitious historiographical essay, Wilson argues for an approach to the Meiji Restoration that emphasizes multiple lines of motive and action. "By bringing some very interesting critical theory to his reading, Wilson has produced a book that will shift the terms of discussion on this event." Harry D. Harootunian"
In this concise but ambitious historiographical essay, Wilson argues for an approach to the Meiji Restoration that emphasizes multiple lines of motive...
