Electronic music since 1980 has splintered into a dizzying assortment of genres and subgenres, communities and subcultures. Given the ideological differences among academic, popular, and avant-garde electronic musicians, is it possible to derive an aesthetic theory that accounts for this variety? And is there even a place for aesthetics in twenty-first-century culture? This book explores genres ranging from techno to electroacoustic music, from glitch to drone music, and from dub to drones, and maintains that culturally and historically informed aesthetic theory is not only possible but...
Electronic music since 1980 has splintered into a dizzying assortment of genres and subgenres, communities and subcultures. Given the ideological diff...
In the year 2214, the Center for Humanistic Study has discovered an unpublished manuscript by Joanna Demers, a musicologist who lived some two centuries before. Her writing interrogates the music of artists ranging from David Bowie and Scott Walker to Kanye West and The KLF. Questioning how people of the early twenty-first century could have believed that music was alive, and that music was simultaneously on the brink of extinction, light is shed on why the United States subsequently chose to eliminate the humanities from universities, and to embrace fascism...
In the year 2214, the Center for Humanistic Study has discovered an unpublished manuscript by Joanna Demers, a musicologist who lived some two centuri...
