In the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his other writings, and feminist re-workings of his philosophy to re-think the film viewing experience. More than a commentary on Deleuze's books on Cinema, Rizzo's work addresses a significant gap in film theory, building a bridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a 'cinematic assemblage', the book focuses on affective and intensive...
In the first book-length introduction to Deleuze's work on film from a feminist perspective, Teresa Rizzo ranges across Deleuze's books on Cinema, his...
In the first book-length introduction to Deleuze's workon film from a feminist perspective, Teresa Rizzo ranges across Deleuze's bookson Cinema, his other writings, and feminist re-workings of his philosophy tore-think the film viewing experience. More than a commentary on Deleuze's bookson Cinema, Rizzo's work addresses a significant gap in film theory, building abridge between the spectatorship studies and apparatus theories of the 1970s, and new theorisations of the cinematic experience. Developing a concept of a'cinematic assemblage', the book focuses on affectiveand intensive...
In the first book-length introduction to Deleuze's workon film from a feminist perspective, Teresa Rizzo ranges across Deleuze's bookson Cinema,...