This 30th anniversary issue of Shearsman contains poetry by Lisa Armstrong, Sean Burn, Susan Connolly, Ray DiPalma, Gareth Durasow, Amy Evans, Anne Gorrick, Penny Harter, philip kuhn, John Mateer, Christopher Middleton, Toby Olson, Simon Perchik, Peter Robinson, Aidan Semmens, Nathaniel Tarn, Jon Thompson, Nathan Thompson, Rosmarie Waldrop and Alan Wall; prose by Martin Anderson; & translations of Juan Antonio Gonzalez-Iglesias (by Curtis Bauer), of Paol Keineg (by Rosmarie Waldrop), and of Lisa Turcotte (by Andrea Moorhead).

Shearsman magazine's second issue for 2011 features work by, among others: Tim Allen, Linda Black, Andy Brown, Marianne Burton, Anthony Caleshu, Rachel Gippetti, Mark Goodwin, Gerard Greenway, Ross Hair, Lucy Hamilton, Brian Henry, Mary Leader, Rupert M. Loydell, James McLaughlin, George Messo, Tara Rebele, Elizabeth Robinson and Jaime Robles.

The first of two double-issues of Shearsman magazine for 2012. Published twice yearly. If the journal has a ruling aesthetic, it is one informed by international modernism and by the more radical kinds of poetry that appeared in the USA and the UK in the 1950s and 1960s. It is not an exclusive magazine though, and remains open to all comers, wherever they may come from and whoever they may be, conservative or radical: the important thing is the quality of the writing.

The second double-issue of Shearsman magazine for 2012. Contents will be announced in August 2012.

The first issue of Shearsman magazine for 2013. Contents will be announced in January 2013.

This issue contains poetry by Gabrielle Alioth, Martin Anderson, James Bell, Linda Black, Rosie Breese, Geraldine Clarkson, Ken Cockburn & Alec Finlay, Claire Crowther, Makyla Curtis, Harry Guest, Gary Hotham, David Kennedy, Peter Larkin, Mary Leader, Yann Lovelock, Becka Mara McKay, Christopher Middleton, Helen Moore, Sonia Overall, Simon Perchik, Peter Riley, Alexandra Sashe, Hilda Sheehan and Elzbieta Wojcik-Leese & translations of Gaston Baquero by Peter Boyle, of Ivano Fermini by Ian Seed, and of Gonca Ozmen by George Messo."

The second issue of Shearsman magazine for 2014 contains new poetry by Isobel Armstrong, Paula Bohince, Peter Boyle, M.T.C. Cronin, Anamaria Crowe Serrano, Ray DiPalma, Tim Dooley, Michael Farrell, Damian Furniss, Mark Goodwin, Anne Gorrick, Jeremy Hooker, juli Jana, Norman Jope, Kent MacCarter, Julie Maclean, Alasdair Paterson, Peter Robinson, Lucy Sheerman, Nathan Shepherdson, Scott Thurston, Cristina Viti, Heidi Williamson, Valerie R. Witte and translation of Ulrike Almut Sandig (by Karen Leeder) and Maria do Cebreiro (by Neil Anderson)."

The second double-issue of Shearsman for 2019 features poetry by Clark Allison, Annemarie Austin, Benjamin Balint, Miranda Lynn Barnes, Alison Brackenbury, Rachael Clyne, Andrew Duncan, Chris Emery, Gerrie Fellows, Adam Flint, Mark Goodwin, Lucy Hamilton, Jeri Onitskansky, Alasdair Paterson, John Phillips, Paul Rossiter, Alexandra Sashe, Kate Schmitt, John Seed, Robert Sheppard, Maria Stadnicka, Andrew Taylor, James Turner, Rimas Uzgiris, Rushika Wick and Tamar Yoseloff & translations of Greta Ambrazaitė by Rimas Uzgiris and Toon Tellegen by Judith Wilkinson.

In 1925, Huidobro published this collection of manifestos to consolidate his position in the avant-garde in the face of the burgeoning new Surrealist movement and also as a reaction to attacks from one Spanish critic in particular, a member of the Ultraist movement, who seemed to want to establish the Spanish avant-garde as an independent force, free of the influence of this loud, self-confident Chilean. The book appeared in the same year that he published his last two collections of French poetry, one of which demonstrated Dadaist influences, and the other Surrealist influences. 1925 is...