Unheard Melodies presents a straightforward but unusual guide to musical appreciation, and is of particular help to the non-specialist in coming to terms with the complexities of classical music. The raw materials, styles and processes of music are introduced and explained, together with inside information about instruments and the lives of composers, not to mention the many hidden puzzles and ciphers accessible to those with the necessary key. A must for anyone interested in understanding the real substance of music. There is a world of unheard melodies out there for the hearing, so why not...

for violin and mixed choir This innovative and imaginative choral arrangement of The Lark Ascending has the original solo violin part accompanied by mixed choir. It sensitively sets George Meredith's poem (on which the original orchestration is based) and combines this with wordless vocal lines and vocal solos, preserving the texture and timeless effect of the original. Commissioned and premiered by the Swedish Chamber Choir, the work has also been recorded by the choir under the direction of Simon Phipps.

for SSA and organ or piano Paul Drayton's setting of three stanzas from Laurence Binyon's poem 'For the Fallen' is poignant, dignified, and atmospheric. A serene and expressive refrain for unison voices (which the congregation may join in if desired) is interposed between evocatively turbulent passages for SSA choir. The accompaniment should ideally be played on the organ, but may be performed on the piano if organ is not available. Also available in a version for mixed voices.