Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory. The intangibility of sound is uncanny - a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.
The history of listening must be constructed from the narratives of myth and fiction, 'silent' arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a...
Sinister Resonance begins with the premise that sound is a haunting, a ghost, a presence whose location is ambiguous and whose existence is transitory...
"Not just a deeply thoughtful and richly populated survey of modern experimental music, it's a meditation on hearing itself."--Guardian
Digital technology has changed the ways in which music is perceived, stored, distributed, mediated, and created. In the eye of the storm stands David Toop, shedding light on the most interesting music now being made, wherever he finds it. Haunted Weather is an intensive survey of recent developments in digital technology, sonic theory, and musical practice.
"Not just a deeply thoughtful and richly populated survey of modern experimental music, it's a meditation on hearing itself."--Guardian