This book explores the work of Dino Risi with The Easy Life (1962), The Monsters (1963), The New Monsters (1977), and Scent of a Woman (1974), Mario Monicelli with Big Deal on Madonna Street (1958), The Great War (1959), and Amici miei (1975), also Pietro Germi with Divorce Italian Style (1961), as well as filmmakers as disparate as Federico Fellini with Amarcord (1973), Ettore Scola with Down and Dirty (1976), Lina Wertmuller with Swept Away (1974), Luigi Comencini with The Scientific Cardplayer (1972) and many others. In addition the...
This book explores the work of Dino Risi with The Easy Life (1962), The Monsters (1963), The New Monsters (1977), and Scent of a Woman...
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century through the silent era, Surrealist influences, the Nazi Occupation, the glories of the New Wave, the rebirth of the industry in the 1990s with the exception culturelle, and the present, Remi Lanzoni examines a considerable number of the world's most beloved films. Building upon his 2004 best-selling edition, the second edition of French Cinema maintains the chronological analysis, factual reliability, ease of use, and accessible prose,...
To a large extent, the story of French filmmaking is the story of moviemaking. From the earliest flickering images of the late nineteenth century thro...
