"A first-rate compendium of ongoing discussions about the nature, protocols, and impact of video-film production as a new media form in African cinema." - H-Net

African cinema in the 1960s originated mainly from Francophone countries. It resembled the art cinema of contemporary Europe and relied on support from the French film industry and the French state. Beginning in1969 the biennial Festival panafricain du cinema et de la television de Ouagadougou (FESPACO), held in Burkina Faso, became the major showcase for these films. But since the early 1990s, a new phenomenon has...

This volume is a multidisciplinary contribution to Sephardic studies, including chapters by some of the best-known authorities in the field, interspersed with those of young scholars who have begun making their mark in current research. The text aims to enrich this emerging field through historical linguistic studies as well as investigations based on contemporary movements, recent literary creations, and the issues involved in contemporary revival.

The chapters presented in this collection include a selection of papers originally presented at the symposium "Sepharad as Imagined...