This is Morgan Falconers passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and thought-provoking book, he examines 100 works of modern art that have attracted critical and public hostility from Cy Twomblys scribbled 'Olympia' (1957) to Tracey Emins's 'My Bed' (1998).
This is Morgan Falconers passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and t...
