From Hegel to the present, the humanities and social sciences have revealed the volatile power of third agency. Systems of thought and practice are often disturbed by the presence of a figure that exceeds traditional binary oppositions. The articles in this volume trace the role of these triadic figures across a broad range of discourses in social theory, philosophy and science studies. Modernity emerges as a mode of system-formation, perpetuation and self-reflection that is deeply rooted in the dynamics of dialectic and paradox.
The volume offers an approach which is both systematic and...

With over 650 tips, tactics, techniques and thought provoking business questions, The Financial Times Guide to New Business Development is the authoritative, down-to-earth guide to attracting more customers and clients, getting them to pay the prices you want and influencing them to recommend others to buy from you as well.

• What do we have to do to be more successful?
• How do we attract new customers and clients?
• How do we work more effectively with the customers or clients we already have?
• How do we...

This title shows readers how to divide their time, manage emails, get the most out of meetings, not get sidetracked, say no, make time for relationships, and much, much more.

In 1974, The Wall Street Journal called this movie "grotesque, sadistic, irrational, obscene, incompetent," while New York Magazine declared it "a catastrophe." Upon its initial release, Sam Peckinpahs notorious work took a critical and commercial nosedive, but in later years, the work was heralded as a demented masterpiece--a violent, hallucinatory autobiography and a brilliant example of "pure Peckinpah." This study revisits the making of this controversial film, as well as its original reception and subsequent reassessment. It reads the project as an auteur work, a genre...

Witchfinder General (1968), known as The Conqueror Worm in America, was directed by Michael Reeves and occupies a unique place in British cinema. Equally praised and vilified, the film fictionalizes the exploits of Matthew Hopkins, a prolific, real-life "witch hunter," during the English Civil War. For critic Mark Kermode, the release proved to be "the single most significant horror film produced in the United Kingdom in the 1960s," while playwright Alan Bennett called the work "the most persistently sadistic and rotten film I've ever seen." Steadily gaining a cult reputation,...

The Equity Home Bias Puzzle: a Survey puts into perspective one of the strongest and most persistent empirical phenomena in finance: equity home bias. The authors not only provide a thorough review of the competing measures of home bias and the explanations for the equity home bias proposed in the current literature, but also lay out the implications of international under-diversification for portfolio formation and the cost of capital of companies. The Equity Home Bias Puzzle: A Survey is organized as follows. After an introduction, Section 1 defines the equity home bias puzzle and explains...

The horror film reveals as much, if not more, about the British psyche as the more respectable heritage film or the critically revered social realist drama. Yet, like a mad relative locked in the attic, British horror cinema has for too long been ignored and maligned. Even when it has been celebrated, neglect is not far behind and what studies there have been concentrate largely on the output of Hammer, the best-known producers of British horror. But this is only part of the story. It's a tradition that encompasses the last days of British music hall theater, celebrated auteurs such as Alfred...

Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published 'Black Notebooks', of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century-one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity from...