Kalidasa's play about the love of King Dusyanta for Sakuntala, a monastic girl, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone and in performance, The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, comparable to certain types of mystical experience. The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation...
Kalidasa's play about the love of King Dusyanta for Sakuntala, a monastic girl, is the supreme work of Sanskrit drama by its greatest poet and playwri...
One of the three surviving plays by Kali dasa (fifth century), universally acknowledged as the supreme poet in classical Sanskrit, How Urvashi Was Won, like the other two, is a masterpiece of lyricism, subtle characterization, and the working through of a bold theme. How Urvashi Was Won is the story of King Puru ravas and his love for an immortal, the dancer Urvashi, who normally lives in the heaven of the gods but who has come down to earth in order to realize her passion for the alltoo- mortal king. The tragic love of this asymmetrical couple was described already in the ancient "Rig...
One of the three surviving plays by Kali dasa (fifth century), universally acknowledged as the supreme poet in classical Sanskrit, How Urvashi Was ...
Sanskrit Messenger poems evoke the pain of separated sweethearts through the formula of an estranged lover pleading with a messenger to take a message to his or her beloved. The plea includes a lyrical description of the route the messenger will take and the message itself. The first was the Cloud Messenger, composed by Sanskrit's finest poet, Kali-dasa, in the fifth century CE. This inspired the next, the Wind Messenger, composed in praise of King Lakshmana-sena of Gauda (Bengal) in the twelfth century by Dhoyi, one of his court poets. Numerous more followed, including the third in the...
Sanskrit Messenger poems evoke the pain of separated sweethearts through the formula of an estranged lover pleading with a messenger to take a mess...
Its frivolous subject may have been the reason why Malavika and Agni mitra is sometimes considered to be the least significant of the three dramas of Kali dasa, the poet laureate of Indian antiquity who probably lived in the fifth century CE. Yet the play's lively and playful plot more than makes up for its lack of deities, heroic prowess and pathos. The machinations of King Agni mitra's jester to help him add a dancing girl to his harem in spite of the subtle intrigues of the two jealous queens carry the gallant hero through hope and despair to the happy ending.
Its frivolous subject may have been the reason why Malavika and Agni mitra is sometimes considered to be the least significant of the three ...