Walter Pater (1839 94) was the foremost Victorian writer on art and on aesthetic experience. He brought his extensive knowledge of the history of art to bear on the new problem of how to explain the very personal affective response to beauty, and raised this into a central concern of aesthetic and philosophical thought. His ideas still shape modern assumptions about how art plays on our feelings and intellectual responses. This edition of Pater's complete works was published in 1900 1 in a limited edition of 775 copies. It comprises eight volumes with an additional volume of critical essays...

Through his highly idiosyncratic readings of some of the finest paintings, sculptures, and poems of the French and Italian Renaissance, Walter Pater in Studies in the History of the Renaissance redefined the practice of criticism as an impressionistic, almost erotic exploration of the critic's aesthetic responses. Pater's infamous "Conclusion," which forever linked him with the decadent movement, scandalized many with its insistence on making pleasure the sole motive of life, even as it charmed fellow aesthetes such as Oscar Wilde. This edition of Studies reproduces the text of the first...