How to Write is an introductory guide to writing, aimed at people who think they can't write, or for whom writing is an ordeal. Broken down into short topic-based chapters on everything from beginning to revising, it demystifies the writing process by taking the reader through each stage necessary to bring a piece of writing to a decent finish. The book also offers a wealth of invaluable practical considerations, including when and where to write, when to printout and when to edit onscreen, what type of pen works well for revisions, and the hazards of the paperclip. The author is a seasoned...
How to Write is an introductory guide to writing, aimed at people who think they can't write, or for whom writing is an ordeal. Broken down into short...
The seventeenth century was a period of remarkable achievement in the field of English poetry: it was the age of Shakespeare, Donne, Marvell, Jonson, Drayton, Herbert, Dryden, and Rochester among others. Alastair Fowler's celebrated anthology maps the terrain afresh, including innumerable and generous selections from all of the century's masterpieces as well as fascinating work by less familiar names. It strikes a balance between Metaphysical wit and intellect and Jonsonian simplicity, while also accommodating hitherto neglected popular verse. The result is a truer, more catholic...
The seventeenth century was a period of remarkable achievement in the field of English poetry: it was the age of Shakespeare, Donne, Marvell, Jonson, ...
Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible given names changed and how is this reflected in literature? Why do some characters remain mysteriously nameless? In this rich and learned book, Alastair Fowler explores the use of names in literature of all periods - primarily English but also Latin, Greek, French, and Italian - casting an unusual and rewarding light on the work of literature itself. He traces the history of names through Homer, Spenser, Shakespeare, Milton, Thackeray, Dickens,...
Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible giv...
Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible given names changed and how is this reflected in literature? Why do some characters remain mysteriously nameless? In this rich and learned book, Alastair Fowler explores the use of names in literature of all periods - primarily English but also Latin, Greek, French, and Italian - casting an unusual and rewarding light on the work of literature itself. He traces the history of names through Homer, Spenser, Shakespeare, Milton, Thackeray, Dickens,...
Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible giv...
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte...
