There are almost as many definitions and different sorts of love as there are poets. Edited on the assumption that any poem which speaks of one human's desire for another is a qualifying factor, THE NEW PENGUIN BOOK OF LOVE POETRY is a rich and diverse anthology which ranges through time and fashion. Passion, urgency, simplicity, heartbreak and renunciation are all here in a volume that superbly represents 'man's changeless responses to the changeless changing seasons of his heart'.

Wilfred Owen is perhaps the most remembered of the First World War poets, writing some of the most powerful denouncements of the horrors and hypocricies of war. Here, Jon Stallworthy selects his favourite poems.

This selection of Wilfred Owen's war poems contains an introduction by Jon Stallworthy, which is aimed at a general audience, but is also academic enough to be used in schools.

A revised and updated edition of Jon Stallworthy's prize-winning and classic biography of the great World War One poet, Wilfred Owen.
Of all the poets of the First World War, Wilfred Owen most fires the imagination today. This biography is more than a simple account of his life -- the childhood spent in the backstreets of Birkenhead and Shrewsbury, the appalling months in the trenches -- it is a poet's enquiry into the workings of a poet's mind.
This paperback reproduces all the widely praised illustrations of the original edition, including drawings by the poet and facsimile...

There can be no area of human experience that has generated a wider range of powerful feelings than war. Jon Stallworthy's classic and celebrated anthology spans centuries of human experience of war, from Homer's Iliad, through the First and Second World Wars, the Vietnam War, and the wars fought since. This new edition, published to mark the centenary of the outbreak of the First World War, includes a new introduction and additonal poems from David Harsent and Peter Wyton, among others. The new selection provides improved coverage of the two World Wars and the Vietnam War, and new coverage...

Jon Stallworthy wrote his first poems during schooldays shadowed by the Second World War and a mother's memories of a brother and friends killed in the First. At school, too, he was introduced to the poems of Wilfred Owen, whose biography he would later write, and to those of others who would be represented in his Oxford Books of War Poetry (1984, 2nd edition 2014). Many of the most anthologised and ambitious of his own poems - 'No Ordinary Sunday', 'A Letter from Berlin', The Nutcracker', 'A Poem about Poems about Vietnam' - respond to wars that scarred the twentieth century. A recent...

A 70-year-old friend told Jon Stallworthy of her flight from war-torn Poland, carrying in her bedding-roll a coverlet she'd been embroidering for her fiance and herself. The poet was struck by the story's inverse relationship with that of the "Lady of Shalott". Where Tennyson's artist in her tower, forced to choose between the world and its "shadows" in her mirror, opts for the world and is destroyed, the peasant engages with the world and is sustained, art reflecting the engagement. The story Stallworthy traces over the outline of the old illustrates what Heaney calls poetry's power of...