Turgenev is an author who no longer belongs to Russia only. During the last fifteen years of his life he won for himself the reading public, first in France, then in Germany and America, and finally in England. As regards his method of dealing with his material and shaping it into mould, he stands even higher than as a pure creator.

On one level the novel is about the homecoming of Lavretsky, who, broken and disillusioned by a failed marriage, returns to his estate and finds love again - only to lose it. The sense of loss and of unfulfilled promise, beautifully captured by Turgenev, reflects his underlying theme that humanity is not destined to experience happiness except as something ephemeral and inevitably doomed. On another level Turgenev is presenting the homecoming of a whole generation of young Russians who have fallen under the spell of European ideas that have uprooted them from Russia, their 'home', but have...

Returning to Russia from a tour in Italy, twenty-three-year-old Dimitry Sanin breaks his journey in Frankfurt. There he encounters the beautiful Gemma Roselli, who works in her parents' patisserie, and falls deeply and deliriously in love for the first time. Convinced that nothing can come in the way of everlasting happiness with his fiancee, Dimitry impetuously decides to begin a new life and sell his Russian estates. But when he meets the potential buyer, the intriguing Madame Polozov, his youthful vulnerability makes him prey for a darker, destructive infatuation. A novel of haunting...

Turgenev's first major prose work is a series of twenty-five Sketches: the observations and anecdotes of the author during his travels through Russia satisfying his passion for hunting. His album is filled with moving insights into the lives of those he encounters - peasants and landowners, doctors and bailiffs, neglected wives and bereft mothers - each providing a glimpse of love, tragedy, courage and loss, and anticipating Turgenev's great later works such as First Love and Fathers and Sons. His depiction of the cruelty and arrogance of the ruling classes was considered subversive and led...

Turgenev's timeless tale of generational collision, in a sparkling new translation
When Arkady Petrovich returns home from college, his father finds his eager, naive son changed almost beyond recognition, for the impressionable Arkady has fallen under the powerful influence of the friend he has brought home with him. A self-proclaimed nihilist, the ardent young Bazarov shocks Arkady's father with his criticisms of the landowning way of life and his determination to overthrow the traditional values of contemporary society. Vividly capturing the hopes and fears, regrets and delusions...

When a young graduate returns home he is accompanied, much to his father and uncle's discomfort, by a strange friend "who doesn't acknowledge any authorities, who doesn't accept a single principle on faith." Turgenev's masterpiece of generational conflict shocked Russian society when it was published in 1862 and continues today to seem as fresh and outspoken as it did to those who first encountered its nihilistic hero.

This new translation, specially commissioned for the Oxford World's Classics, is the first to draw on Turgenev's working manuscript, which only came to...

Bringing together six of Turgenev's best known stories in volume, this collection includes "First Love," "Asya," "Mumu," "The Diary of a Superfluous Man," "Song of Triumphant Love," and "King Lear of the Steppes."

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities,...

Examines the conflict of attitudes in mid-19th-century Russia, as distant pre-echoes of the Revolution continue to rumble through the remote rural landscape. The story follows the Kirsanov family, representatives of the old regime, and the violent character of the anti-hero Bazarov.

This work contains First Love and A Fire At Sea, translated by Isiah Berlin, and Spring Torrents translated by Leonard Schapiro. These stories record the pains and glories of youthful infatuation.

Ivan Turgenev: Vater und Sohne Erstdruck in: Russkij vestnik, Moskau 1862. Erste Buchausgabe: Moskau 1862. Hier nach der Ausgabe: Leipzig: Insel-Verlag, 1911]. Neuausgabe mit einer Biographie des Autors. Herausgegeben von Karl-Maria Guth. Berlin 2016. Textgrundlage ist die Ausgabe: Turgenjeff, Iwan: Vater und Sohne. Leipzig: Insel-Verlag, 1911] Die Paginierung obiger Ausgabe wird in dieser Neuausgabe als Marginalie zeilengenau mitgefuhrt. Umschlaggestaltung von Thomas Schultz-Overhage unter Verwendung des Bildes: Mary Cassatt, Alexander Cassatt und sein Sohn Robert, 1884. Gesetzt aus der...