Synge was the victim of a cruel paradox: those who loved his works knew no Irish and those who loved Irish despised his works. Leading international commentators came to accept the assumption that the dramatist knew little or nothing of his native language. This book shows that, on the contrary, Synge's command of Irish was extensive and that this knowledge proved invaluable in the writing of his major plays. This radical reappraisal of Synge's achievement draws extensively on his unpublished papers in the Irish language. In rebutting the nationalist attack on the dramatist with an account of...
Synge was the victim of a cruel paradox: those who loved his works knew no Irish and those who loved Irish despised his works. Leading international c...
A critical history of modern Irish literature. Kiberd develops his story through subtle readings of such writers as Joyce, O'Casey, Beckett and Bowen. Giving a controversial interpretation of post-colonial Ireland, he then surveys more recent works, from Brian Friel to the younger Dublin writers.
A critical history of modern Irish literature. Kiberd develops his story through subtle readings of such writers as Joyce, O'Casey, Beckett and Bowen....
Declan Kiberd argues that 'Ulysses', far from being the epitome of elitism, was always intended as a book for the common people. Kiberd explains that Joyce's book offers a democratic model for living well under the pressures of the modern world.
Declan Kiberd argues that 'Ulysses', far from being the epitome of elitism, was always intended as a book for the common people. Kiberd explains that ...
