"McCullin is required reading if you want to know what real journalism is all about." --"Times Literary Supplement"
From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images.
At the "Sunday Times Magazine "in the 1960s, McCullin's photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures,...

Don McCullin s view of England is rooted in two worldshis wartime childhood, and his youthin 1950sFinsbury Park. His first published photograph was a picture of a gang from his neighborhood, which appeared in a newspaper after a local murder. McCullin always balanced his anger at the unacceptable face of the nation with tenderness or compassion, and in this collection, heenvisions his home country with itsperpetual social gulf between the affluent and the desperate in mind. He continues in the same black and white tradition as he did between foreign assignments for the Sunday Times in...

First published in 2001, this retrospective survey offers both an examination of Don McCullin's photographic career as well as a record of half a century of international conflict. Coinciding with the photographer's eightieth birthday, this expanded edition of "Don McCullin" serves as fitting homage to a photographer who dedicated his life to the front line in order to deliver compassionate visual testament to human suffering. With texts by Mark Holborn, Harold Evans and Susan Sontag, and photographs taken by McCullin in England, Cyprus, Vietnam, the Congo, Biafra, Northern Ireland, Cambodia,...