The heroes and heroines of this, A.L. Kennedy's first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death...

Exposing and exploring the sinuous undercurrents of violence, anguish and love, this title examines the nature of the individual, both in isolation and society, as characters define and deny their chosen identities. It reveals the subversive liberation of impotence, and, the humour of discomfort as human beings chafe together.

From the author of Now That You're Back, this is the story of a professional enunciator and announcer who thinks that behind the doors of the recording studio she is safe from the inconvenience of love and hate. But reality eventually breaks in.

You are crossing the Atlantic on a liner with your boyfriend who may or may not be planning to propose. You are fleeing the past - your ex-lover Arthur, the man who helped you dupe the vulnerable into believing loved ones were trying to make contact from beyond the grave.

A collection of stories concerned with the complexities of sex and the lack of it. Whether in Copenhagen or New York, the characters are engaged in possibly fruitless attempts to close down emotional distances and fill a physical void.

A first novel which dissects the intricate difficulties of human relationships, from a Scotswoman's passionate attachment to her father and her more problematic involvement with her lover, to the wider social relations between pupil and teacher, employer and employee, individual and state.

After six novels, five story collections and two books of non-fiction, and countless international prizes, A.L. Kennedy certainly has the authority to talk about the craft of writing books - it's just a wonder she's found the time. These are missives from the authorial front line - urgent and vivid, full of the excitement, fury and frustration of trying to make thousands of words into a publishable book. At the core of On Writing is the hugely popular blog that Kennedy writes for the Guardian - and we follow her during a three-year period when she finished one collection of stories and...

The dazzling new collection from the Costa Prize-winning author of Day and The Blue Book. She doesn't ever lie to him unless it's for the best. A husband and wife wait for a train as their relationship unspools silently around them. A woman contemplates the idea of her lover dying as she queues in a bank. An almost impossibly uncomfortably lunch culminates in a passionate kiss. In this dazzling collection of stories lies the battlefield of the heart, where characters who have suffered somehow emerge - haltingly, awkwardly - into the astonishment of intimacy.

Almost forty and with nothing to show for it, Hannah Luckraft is starting to realise that her lifestyle is not sustainable. Her soul is unwell, her family is wounded, her friends are odd, her body is unreliable and her drinking is out of control.

Something distinctly odd is going on in Arbroath. It could be to do with golfers being dragged down into the bunkers at the Fetch Brothers' Golf Spa Hotel, never to be seen again. It might be related to the strange twin grandchildren of the equally strange Mrs Fetch - owner of the hotel and fascinated with octopuses.