"It wasn't as good as the book;" this is the response to many a film adaptation, and even the starting point of many film reviews. This book offers the first systematic theoretical account of the process by which the great (and not so great) works of literature are transformed into the good, bad (sometimes ugly), but always distinctive medium of cinema. Drawing on recent literary and film theory, Mcfarlane provides careful analysis of the theory and practice of metamorphosis. The Scarlet Letter, Random Harvest, Great Expectations, Daisy Miller, and Cape Fear provide case studies for a range...
"It wasn't as good as the book;" this is the response to many a film adaptation, and even the starting point of many film reviews. This book offers th...
A close study of the relationship between text and film versions of Great Expectations.Literature and film studies students will find plenty of material tosupport their courses and essay writing on how the film versionsprovide different readings of the original text.
Focussing on David Lean's film of Great Expectations, thebook discusses: the literary text in its historical context, key themesand dominant readings of the text, how the text is adapted for screenand how adaptations have changed our reading of the original text.There are numerous excerpts from the literary...
A close study of the relationship between text and film versions of Great Expectations.Literature and film studies students will find plenty...
From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getting to see the films he wanted - or any for that matter - only made them seem more alluring. But it wasn't just seeing the films that mattered: he also wanted, and quite soon needed, to be writing about them and these obsessions have been part of his life for the next sixty-odd years. Real and reel is a light-hearted and but deeply felt account of a lifetime's addiction. It is one particular writer and critic's story, but it will strike...
From a little before ten years of age Brian McFarlane became addicted to stories told on the screen, and the mere fact that he had difficulty in getti...
A fresh, concise, but wide-ranging introduction and overview to British and Irish cinema, this volume contains 24 essays, each on a separate seminal film from the region. Films ranging from 1928 to 2002 are featured from directors such as John Boorman, Nicolas Roeg, Sally Potter and Jack Clayton. As well as discussions of genre and influences, The Cinema of Britain and Ireland includes in-depth studies of films such as Room at the Top (1958), The Italian Job (1969), The Man Who Fell to Earth (1976), Distant Voices, Still Lives (1988), Orlando (1992),...
A fresh, concise, but wide-ranging introduction and overview to British and Irish cinema, this volume contains 24 essays, each on a separate seminal f...
