A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth century BCE. There is particular reference to the visual - the myriad ways in which tragic texts are (re)interpreted, (re)appropriated, and (re)visualized through verbal and artistic description.
A collection of essays that brings new insight to the question of the continuing, and inexhaustible, fascination of Athenian tragedy of the fifth cent...
In Where Art Belongs, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In four interlinked essays, Kraus expands the argument begun in her earlier book Video Green that -the art world is interesting only insofar as it reflects the larger world outside it.- Moving from New York to Berlin to Los Angeles to the Pueblo Nuevo barrio of Mexicali, Kraus addresses such subjects as the ubiquity of video, the legacy of the 1960s Amsterdam underground newspaper Suck, and the activities of the New York art...
In Where Art Belongs, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation...
First published in 2000, Chris Kraus's second novel, Aliens & Anorexia, defined a female form of chance that is both emotional and radical. Unfolding like a set of Chinese boxes, with storytelling and philosophy informing each other, the novel weaves together the lives of earnest visionaries and failed artists. Its characters include Simone Weil, the first radical philosopher of sadness; the artist Paul Thek; Kraus herself; and -Africa, - Kraus's virtual S&M partner, who is shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest woods to chronicle the...
First published in 2000, Chris Kraus's second novel, Aliens & Anorexia, defined a female form of chance that is both emotional and radical. ...
This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal College of Art, London. Since her first book, I Love Dick, published in 1997, writer and film-maker Chris Kraus has authored a further six books ranging from fiction to art criticism to political commentary, via continental philosophy, feminism and queer theory. This collection begins to engage with questions Kraus' work raises: where, if at all, is the line between 'life' as private and 'practice' as public? How, if the body is always performing one...
This book assembles all the talks and media presented at Aliens & Anorexia: A Chris Kraus Symposium, which took place in March 2013 at the Royal Colle...
