Traditionally, ideas about twentieth-century 'modernism' whether focused on literature, music or the visual arts have made a distinction between 'high' art and the 'popular' arts of best-selling fiction, jazz and other forms of popular music, and commercial art of one form or another. In Modernism and Popular Music, Ronald Schleifer instead shows how the music of George and Ira Gershwin, Cole Porter, Thomas 'Fats' Waller and Billie Holiday can be considered as artistic expressions equal to those of the traditional high art practices in music and literature. Combining detailed attention to the...
Traditionally, ideas about twentieth-century 'modernism' whether focused on literature, music or the visual arts have made a distinction between 'high...
