A real man is strong. A real man is driven. A real man provides.
A father finds himself being phased out of his son's life. Denied access to his only child, he goes to extraordinary lengths to hold on to him.
My Child throws us into a violent world where good intentions count for very little, and offers an incisive, honest look at what it means to be a good parent.
Premiered at the Royal Court Theatre Jerwood Theatre Downstairs, this is a remarkably powerful and affecting work from a writer hailed by The Stage as 'one of the most exciting new...
A real man is strong. A real man is driven. A real man provides.
A father finds himself being phased out of his son's life. Denied acc...
An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 1968 to 2525 and back again.
Earthquakes in London includes burlesque strip shows, bad dreams, social breakdown, population explosion, worldwide paranoia. It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.
Mike Bartlett's contemporary and directed...
An all-pervasive fear of the future and a guilty pleasure in the excesses of the present drive Mike Bartlett's epic rollercoaster of a play from 19...
This first collection of Mike Bartlett's plays showcases the adroit expertise and flair of a writer known for laser-sharp political comment, tight dialectics and needlingly real characters.
My Child is a gut-wrenching exploration of the lengths a father will go to to have access to his child. The play creates a violent world where good intentions count for very little, and offers an incisive, honest look at what it means to be a good parent.
Contractions is an ink-black comedy about work and play: Emma's been seeing Darren. She thinks she's in love. Her boss...
This first collection of Mike Bartlett's plays showcases the adroit expertise and flair of a writer known for laser-sharp political comment, tight ...
Work out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid... All that's needed, in the end, is belief.
An identical, terrifying dream haunts Londoners in the midst of economic gloom and ineffective protest. Whilst the prime minister considers a preventive war, a young man returns home with a vision for the future.
Coincidences, omens and visions collide with political reality in this epic new play from the writer of Earthquakes in London. Set in a dark and magical landscape, it depicts a London both familiar and...
Work out what you want and go for it with all your conviction and don't care if you seem outrageous or stupid... All that's needed, in the end, ...
"If there's a God, which at the moment I DOUBT, I want you to curse him." "If there's any justice, I want them - both of them - in a car crash."
Her husband's gone and her future isn't bright. Imprisoned in her marital home, Medea can't work, can't sleep and increasingly can't cope. While her child plays, she plots her revenge.
This startlingly modern version of Euripides' classic tragedy explores the private fury bubbling under public behaviour and how in today's world a mother, fuelled by anger at her husband's infidelity, might be driven to commit the worst possible crime.
The...
"If there's a God, which at the moment I DOUBT, I want you to curse him." "If there's any justice, I want them - both of them - in a car crash."...
Winner, 2015 Olivier Award for Best New Play Winner, 2015 London Critics' Circle Award for Best New Play "Queen Elizabeth II is dead. After a lifetime of waiting, her son ascends the throne. A future of power. But how to rule?" Mike Bartlett's controversial "future history play" explores the people beneath the crowns, the unwritten rules of our democracy, and the conscience of Britain s most famous family. Drawing on the style and structure of a Shakespearean history play, "King Charles III" opened at London s Almeida Theatre, directed by its Artistic Director Rupert Goold, in...
Winner, 2015 Olivier Award for Best New Play Winner, 2015 London Critics' Circle Award for Best New Play "Queen Elizabeth II is dead. After a l...
A razor-sharp play about the fine line between office politics and playground bullying, Bull offers ringside seats as three employees fight to keep their jobs. Mike Bartlett's acid-tongued play opened at the Young Vic, London, in 2015. It was originally performed at the Crucible Studio Theatre Sheffield in 2013, and was subsequently produced Off-Broadway in New York.
A razor-sharp play about the fine line between office politics and playground bullying, Bull offers ringside seats as three employees fight to ...
1967. Kenneth and Sandra know the world is changing. And they want some of it.
Love, Love, Love takes on the baby boomer generation as it retires, and finds it full of trouble. Smoking, drinking, affectionate and paranoid, one couple journeys forty-years from initial burst to full bloom. The play follows their idealistic teenage years in the 1960s to their stint as a married family unit before finally divorced and, although disintegrated, free from acrimony. Their children, on the other hand, bitterly rail against their parents' irresponsibility and their relaxed,...
1967. Kenneth and Sandra know the world is changing. And they want some of it.
Love, Love, Love takes on the baby boomer genera...
The latest play from Britain's foremost playwright-provocateur, Mike Bartlett (Cock, King Charles III). In a housing crisis, a young couple are offered a home of their own. But at what price? Invasive and unnerving, this provocative new play invites us to spy on a family as they explore a dangerous new way to live. Game premiered at the Almeida Theatre in London in February 2015.
The latest play from Britain's foremost playwright-provocateur, Mike Bartlett (Cock, King Charles III). In a housing crisis, a young ...
Mike Bartlett (*1980) patří k nejpozoruhodnějším britským dramatikům nejmladší generace. Jeho hra Zemětřesení v Londýně si v roce 2010 získala mohutný úspěch v londýnském Národním divadle. Drama postavené na learovském mýtu vypráví formou vyšinutého kabaretu o hrozbách globálního oteplování i vyprahlých vztazích současného člověka. Text (přel. Lucie Kolouchová) vychází u příležitosti premiéry hry na Nové scéně ND (rež. Daniel Špinar).
Součástí publikace je mj. rozhovor s autorem, úryvek studie Václava Cílka a fotopříloha s...
Mike Bartlett (*1980) patří k nejpozoruhodnějším britským dramatikům nejmladší generace. Jeho hra Zemětřesení v Londýně si v roce 2010 z...