The familiar image of the British in the Second World War is that of the plucky underdog taking on German might. This title shows the conflict in a new light, with Britain as a very wealthy country, formidable in arms, ruthless in pursuit of its interests and sitting at the heart of a global production system.
The familiar image of the British in the Second World War is that of the plucky underdog taking on German might. This title shows the conflict in a ne...
The history of England and the aeroplane is one tangled with myths - of 'the Few' and the Blitz, of boffins, flying machines, amateur inventors and muddling through. In 'England and the Aeroplane' David Edgerton reverses received wisdom, showing that the aeroplane is a central and revealing aspect of an unfamiliar English nation: a warfare state dedicated to technology, industry, empire and military power. In a revelatory recounting of the story of aeronautical England, from its politics to its industry and culture, David Edgerton reconfigures some of the most important chapters of England's...
The history of England and the aeroplane is one tangled with myths - of 'the Few' and the Blitz, of boffins, flying machines, amateur inventors and mu...
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diploma 15 addresses the construction of context by architecture for its own very particular purposes. A self-declared 'render-free zone', the unit's interrogations of architecture's seminal sites (antiquity, technology, the future and its proxies) examine the role of figuration and the exclusion of indeterminacy in the always already mediated question of context. Through the quiet business of counting, these line drawings - against the double...
No architectural category is more fickle or more artificial than 'context'. This collection of 60 large drawings produced over five years by AA Diplom...
'It's rare for a book to make you see the world differently, but this ... does exactly that on almost every page' Guardian Standard histories of technology give tired accounts of the usual inventions, inventors, and dates, framing technology as the inevitable march of progress. They split history into ages - electrification, motorisation, and computerisation - and rarely ask whether anyone bothered to use these inventions at the time. Shock of the Old is not one of those histories. I Letters exist alongside emails and outlasted telegrams; we still make physical books and magazines...
'It's rare for a book to make you see the world differently, but this ... does exactly that on almost every page' Guardian Standard histories of te...
