for SATB and harp or piano This delightful work brings together arrangements of four folksongs: 'Green Bushes', 'The Rambling Sailor', 'The Crystal Spring', and 'O, No John!'. A Fancy of Folksongs can be accompanied by piano or harp (harp part sold separately), and is sure to be an instant hit with all lovers of McDowall's music.

for baritone solo, SATB chorus, children's choir (or semi-chorus), and small orchestra (or piano/organ) McDowall's setting of the Stabat Mater has been described as 'an outstanding work of great solemnity and poignancy' (Tempo, 2013). The work comprises seven movements in a symmetrical structure-from the impassioned choral opening, through two intense yet diverse baritone solos and contemplative plainchant chorales, to the stately finale uniting all the voices. The optimistic central movement, in a major tonality, may be performed by children's choir or a semi-chorus of sopranos and altos...

for SSATB and organ The plainsong hymn, Come, Holy Ghost, lies at the heart of Celestial Fire. Here McDowall has woven the exquisite poetry of Denise Levertov into this expressive and uplifting setting. At times quietly meditative, Celestial Fire unfolds to a most joyous, affirmative conclusion. Celestial Fire was commissioned as part of a trilogy suitable for significant occasions during the church calendar year by Oakham School; the two other Oakham anthems for organ and mixed chorus are Light Eternal and Candlemas.

for SATB choir, brass quintet, organ and percussion This engaging 15-minute carol sequence combines several popular carols to create a festive performance full of Christmas spirit. Through creative re-harmonization, rhythmic variation, and imaginative linking passages, McDowall conjures up a joyful atmosphere, delighting with familiar and surprising material in equal measure. A rousing finale weaves together several of the tunes to bring the piece to a jubilant close.

for SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea, earth, and air, McDowall uses vocal clusters and haunting solo cello lines to highlight the sense of fear, awe, and majesty experienced by an individual pitted against the elements. Cecilia McDowall was awarded the 2014 British Composer Award in the Choral category for Night Flight.

for SSATB and cello Night Flight was written to mark the centenary of Harriet Quimby's pioneering flight across the English channel. Setting texts by Sheila Bryer on the mysterious powers of the sea, earth, and air, McDowall uses vocal clusters and haunting solo cello lines to highlight the sense of fear, awe, and majesty experienced by an individual pitted against the elements. Cecilia McDowall was awarded the 2014 British Composer Award in the Choral category for Night Flight. The solo cello part is available for sale separately.

A year after the University of Portsmouth awarded Cecilia McDowall an honorary doctorate they commissioned an organ work from her, to be performed at each of the graduation ceremonies in 2014. Celebration was written especially to accompany the academic procession and was performed on the mighty Guildhall organ by David Price (University Organist). 'I've tried to capture some of that sense of excitement and joy that fills Portsmouth's Guildhall on these occasions and I have woven into the fabric of the piece a quotation from "To Portsmouth", a cheerful round about the city written by Thomas...

for SSAA with divisions, unaccompanied Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled Three Shakespeare Songs. In total, six Shakespeare texts are used, and McDowall's response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSATB.

for SSATB with divisions, unaccompanied Cecilia McDowall's fresh and appealing style is amply displayed in this cycle, subtitled Three Shakespeare Songs and first performed by the BBC Singers. In total, six Shakespeare texts are used, and McDowall's response encompasses a fleet-footed impression of Scottish fiddle music, a gorgeously plangent slow movement, and a helter-skelter finale that broadens to a mysteriously pitchless ending. Also available for SSAA.

for SSA and organ This concise Latin mass setting is entirely suitable for liturgical use, but the sharply delineated characters of the different movements make it also an appealing concert work. The organ part is supportive, but full of interest and not merely accompanimental. Particularly memorable are the jaunty Gloria, with its constantly shifting time-signatures, and the haunting Agnus Dei.